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Roy Lichtenstein

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Roy Lichtenstein (1923-1997) was a prominent American pop artist, whose work borrowed heavily from popular advertising and comic book styles, which he himself described as being "as artificial as possible." Lichtenstein's first experiments with popular images go back to 1956, when he created the famous Ten Dollar Bill print.

 

Biography
Roy Lichtenstein (1923-1997)



Roy Lichtenstein was born in New York as the son of a realtor and a housewife. Next to Andy Warhol he is considered as THE great artist of the Pop Art movement. The use of familiar subjects like comic strips, bank notes or advertising themes, makes the art of Roy Lichtenstein easily accessible.

His Early Years

Lichtenstein grew up under no specific artistic influence - neither at home nor at school. But at the age of 14 he attended a painting class at Parson's School of Design every Saturday morning. From 1940 to 1943 he studied in New York at the Art Students' League. Then he was drafted to the US Army and served in Europe during War II. Back from the army, Lichtenstein studied at the Ohio State University from 1946 and received his M.A. in 1949. Like Andy Warhol he worked in the commercial graphic business for a while - making designs and decorating shop windows. From 1957 on, he taught at different universities.

Lichtenstein's first experiments with popular images go back to 1956, when he created the famous Ten Dollar Bill print. Then followed a three year period of abstract painting. "Abstract expressionism" was the dominating art movement at that time. Lichtenstein was then in his late thirties and an unknown artist.

The drastic change in Lichtenstein's career came with his first painting in the style of a comic strip. It was a painting of Mickey Mouse and Donald Duck. The story goes, that he painted it for his kids who had provoked him by saying that "daddy could not paint as well as the images in the comic books". So it may have been his own kids, who are responsible for the artist's move into the olymp of art celebrities.



Pop Art Paintings, Sculptures and Prints

Lichtenstein worked a lot with stencils, thus producing rows of oversized dots that should make his paintings or prints look like a huge mass publication product. Although he prepared and executed his works painstakingly like the old masters, he wanted his works of art look like machine made. One of his peculiarities was, that he did not want his brush strokes to be seen.

Other than paintings and sculptures, the artist produced a number of prints for which he used different techniques: lithographs, screenprints, etchings and woodcuts. Often he combined these techniques in one print.

Lichtenstein is usually characterized as ironic, humorous and witty. He openly commented on his own works. The citations below - mostly taken from interviews - show a very sensitive, intelligent and overt personality.



Lichtenstein in His Own Words

"Commercial art had all of the aspects that were needed to get across a new form of painting which just seemed to be interesting".

"All my art is in some way about other art, even if the other art is cartoons."

When asked, if he disliked the title "pop artist", Lichtenstein answered:

"If people use the word pop to differentiate it from art, then I would not like the idea too much. It is inevitable I am going to be called a pop artist. The name is going to stick, no matter what I think."

"I'd rather use the word dealing with than parody. I am sure there are certain aspects of irony, but I get really involved in making the paintings when I am working on them, and I think just to make parodies or to be ironic about something in the past is much too much of a joke for that to carry your work as a work of art."

"I realize there's a difference in style and so forth, but first of all, I think there isn't that big difference between Romantic and Classical artists. There is obviously a difference in emphasis, and I would be more of a Classical artist than a Romantic, I suppose, but then the kind of unity that holds a painting together is really the same whether it's done by Rembrandt or David or Picasso or Oldenburg. There's really not that much difference, there never was."


Curriculum Vitae
Roy Lichtenstein

1923 Born, New York, NY


2004 Roy Lichtenstein: All About Art Hayward Gallery , London
2003 Roy Lichtenstein: Sculpture on the Roof Metropolitan Museum of Art, New York City
2001 Roy Lichtenstein: Inside-Outside Museum of Contemporary Art. North Miami, Florida 2000 Roy Lichtenstein: Reflections/ Riflessi Chiostro Del Bramante. Rome, Italy
1999 Roy Lichtenstein: Interiors Museum of Contemporary Art, Chicago
1998 Roy Lichtenstein. Foundation Beyler. Basel, Switzerland
1997 Roy Lichtenstein: Man Hit by the 21st Century. Organized by The Contemporary Art Center, Cincinnati, Ohio. The Contemporary Art Center, Cincinnati
1993 Roy Lichtenstein. Solomon R. Guggenheim Museum, New York
1989 Roy Lichtenstein: The Mirror Paintings. Mary Boone Gallery, New York
1988 Lichtenstein’s Picassos: 1962-1964. Gagosian Gallery, New York
1984 Roy Lichtenstein: Eight New Paintings. Richard Gray Gallery, Chicago
1980 Roy Lichtenstein Graphic Work: 1970-1980. Whitney Museum of American Art, Whit- ney Downtown Branch, New York
1978 Roy Lichtenstein: The Modern Work 1965-1970. Institute of Contemporary Art, Boston
1976 Roy Lichtenstein. School of Visual Arts, New York
1974 Roy Lichtenstein. Galerie Mikro, Berlin
1971 Roy Lichtenstein: Mirror Paintings. Leo Castelli Gallery, New York
1970 Roy Lichtenstein. Museum of Contemporary Art, Chicago
1969 Roy Lichtenstein. Solomon R. Guggenheim Museum, New York
1968 Roy Lichtenstein. The Tate Gallery, London
1962 Roy Lichtenstein. Leo Castelli Gallery, New York
1951 Roy Lichtenstein. Carlebach Gallery, New York



Statement

"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way." ~ Roy Lichtenstein


Press Release

"In their optimism, Lichtenstein's elegant paintings argue explicitly that most art is about love, both in its initial impetus within the artist and its final effect within the viewer. His drawings make the argument even more explicit by reminding us of his rapt devotion to his art, its fabrication and the cultural motifs that made it all possible."
ROBERTA SMITH




Links

Roy Lichtenstein Foundation
Roy Lichtenstein House with Gray Roof
Arcana Books: Roy Lichtenstein
NY Times articles on Roy Lichtenstein
Roy Lichtenstein Nudes




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An important source for Contemporary American & European Art in Los Angeles & worldwide, Jonathan Novak's spectacular wide-ranging inventory consists of unique paintings including photorealism, drawings, large & small scale sculpture, monotypes & prints by artists John Baeder, Fernando Botero, Alexander Calder, Joseph Cornell, Jim Dine, Jean Dubuffet, Richard Estes, Sam Francis, Helen Frankenthaler, Ralph Goings, David Hockney, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, Niki de St. Phalle, Wayne Thiebaud, Andy Warhol, & Tom Wesselmann
 
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